We don’t want parents to be fearful and scared. We want them to be equipped and prepared.” –Jeff Johnston
(Hollywood, CA)—When the animated series “The Legend of Korra” ended its three-season run with the two heroines holding hands and dissolving into a mist—thus making explicit a lesbian love interest that hitherto had only been hinted at—children’s TV was likely changed forever. (Photo via Pixabay)

Or so claimed Vanity Fair arts writer Joanna Robinson, who enthusiastically lauded the December 2014 finale of the Nickelodeon show as perhaps the “most subversive television event of the year.”

But for Christian media watchers like Jeff Johnston, that lesbian fairytale ending (the two characters were actually bisexual, having each dated a boy in previous episodes) was just the inevitable next step in a clearly discernible trend.

“There are definitely more gay and transgender characters and stories in children’s television,” Johnston, issues analyst for Focus on the Family, told LifeSiteNews in an email.

Other examples include the 2012-2013 season of “gender-bending” Australian cartoon series “SheZow” featuring “a 12-year-old boy who finds a ‘power ring’ that turns him into a girl,” and an episode in Disney Channel’s children’s series “Good Luck Charlie” in which “a lesbian couple brings their child over for a play date.”

And it will get worse, predicts Johnston, because children’s TV fare “is a reflection of what’s already in our culture.”

Since the United States Supreme Court “decided that same-sex marriage is a ‘constitutional right,'” and with media hype “promoting transgenderism with stories about Bruce Jenner and the actor known as Laverne Cox, we’ll only see more and more of this.”

Indeed, the cable and satellite television channel Cartoon Network is currently airing three animated series—Clarence, “Adventure Time” and Steven Universe—that have strong “gender-queer narratives” or explicitly LGBTQ characters.

Debuting in 2014, Clarence features a main character with two moms, and while Cartoon Network reportedly nixed a kiss on the lips between a homosexual couple in an episode that October, it approved a version in which the men kiss on the cheek.

Clarence was created by Skyler Page, formerly a storyboard artist for “Adventure Time”, which began in 2010 and features bisexual character Marcelline the Vampire Queen. Or more accurately, voice artist Olivia Olson out-ed her character at a Los Angeles book signing, telling fans that the show’s creator, Pendleton Ward, told her that Marcelline and Princess Bubblegum had once “dated.”

Another former “Adventure Time” writer, Rebecca Sugar, created Steven Universe, which first aired in November 2013. Steven is half-boy, half alien “gem” and raised by three alien gem mothers, two of whom are romantically involved. A rave March 2015 post by Mey on the lesbian website Autostraddle declared the first season’s finale “one of the queerest episodes of a children’s cartoon in the history of television.”

While the American conservative media watch organization Parents Television Council (PTC) doesn’t monitor children’s shows per se, nor zero in on LGBTQ narratives, it nevertheless gaveCartoon Network a failing grade in its 2011 special report, “Cartoons are no laughing matter.”

PTC found that Cartoon Network aired a number of animated series containing sexual references and depictions, bad language and violence, and most egregiously, failed 100 percent of the time to warn parents in advance of sexual content and coarse language. (Disney Channel passed the study with flying colors.)

While watching cartoons might seem “an innocent pastime, animation can pose an inherent risk for children and teens,” the study noted. Compared with other genres, cartoons “can potentially trivialize and bring humor to adult themes and contribute to an atmosphere in which children view these depictions as normative and acceptable.”

The report warns the danger is exacerbated because “children and teens are consuming more and more of their video entertainment outside the traditional confines of a television set.”
That is undoubtedly truer four years on, with ever-expanding, highly competitive, on-demand streaming networks such as Netflix and Amazon Instant Video “dumping money into content for children,” according to Greg Nichols of CaliforniaSunday Magazine.(Graphic via LifeSiteNews)

In an article pointedly titled “Hooked: Why Amazon and Netflix want your kids,” Nichols cited statistics that chart out the brave new media world children inhabit: a 2013Common Sense Media study found 75 percent of American kids aged 8 and under have access to a “smart” mobile device, and the American Pediatric Association asserted the same year that “the average 8-year-old spends eight hours a day—56 hours per week—using electronic media such as laptops, tablets, and smartphones.”

And Nickelodeon pulled “The Legend of Korra” off television after the first season, and ran the next two—including the “coming out” final scene—online, as Vanity Fair’s Robinson noted.

The burgeoning kids’ content on-demand streaming market makes it more urgent that, as Johnston points out, “parents monitor what their kids are exposed to.”

Someone who himself struggled as a young Christian man with same-sex attraction and sex addiction before experiencing healing, Johnston emphasized that “television shows, books, and movies with sexually-confusing messages… introduce children to falsehoods and immorality, and they create confusion and insecurity. Children are not equipped to handle these adult themes.”

Source: Breaking Christian News